Cultural policy during and after the pandemic: international insights into the recovery of the performing arts sector
- Funded by British Academy
- Total publications:0 publications
Grant number: COV19\201351
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Key facts
Disease
COVID-19Known Financial Commitments (USD)
$13,041.05Funder
British AcademyPrincipal Investigator
Dr. Cecilia DinardiResearch Location
Argentina, United KingdomLead Research Institution
Goldsmiths University of London - Institute for Creative and Cultural EntrepreneurshipResearch Priority Alignment
N/A
Research Category
Secondary impacts of disease, response & control measures
Research Subcategory
Other secondary impacts
Special Interest Tags
N/A
Study Type
Non-Clinical
Clinical Trial Details
N/A
Broad Policy Alignment
Pending
Age Group
Adults (18 and older)
Vulnerable Population
Unspecified
Occupations of Interest
Other
Abstract
Before Covid-19, the cultural sector was already in crisis - precarious labour conditions, intersectional inequalities and insufficient public funding, particularly but not exclusively in the global South. Now, performing artists have been hit hardest due to venue closures, restrictions in public space and the fact that many cannot perform to digital audiences. While public emergency funding helps cultural workers and arts organisations, its scope and impact vary internationally across socio-economic and institutional contexts as well as different approaches to lockdown. Through in-depth interviews, focus groups and policy workshops with performing artists in the UK and Argentina, together with secondary analysis of ongoing surveys, the project will examine how the pandemic is affecting cultural workers from a sociological perspective. By discussing the work strategies that 80 musicians, actors, dancers and circus artists are now deploying, suggestions will be made about how cultural policy can best support the recovery of the sector.