Investigating the monetisation of live streams of musical performances in the wake of COVID-19

  • Funded by UK Research and Innovation (UKRI)
  • Total publications:0 publications

Grant number: ES/V015117/1

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Key facts

  • Disease

    COVID-19
  • Known Financial Commitments (USD)

    $67,082.54
  • Funder

    UK Research and Innovation (UKRI)
  • Principal Investigator

    Julia Haferkorn
  • Research Location

    United Kingdom
  • Lead Research Institution

    Middlesex University London
  • Research Priority Alignment

    N/A
  • Research Category

    Secondary impacts of disease, response & control measures

  • Research Subcategory

    Economic impacts

  • Special Interest Tags

    N/A

  • Study Type

    Non-Clinical

  • Clinical Trial Details

    N/A

  • Broad Policy Alignment

    Pending

  • Age Group

    Unspecified

  • Vulnerable Population

    Unspecified

  • Occupations of Interest

    Other

Abstract

Live performances are a vital income source for over 80% of musicians. The COVID19 lockdown has put a temporary stop to performances in concert venues, while social distancing measures are likely to restrict audiences for months to come, with regular attenders deciding to stay at home and venues having to reduce capacity to adhere to government regulations. The result is a severe loss of income for musicians. Lockdown has seen a number of classical and jazz musicians turn to streaming performances live from their homes. However, while having the potential to make up for loss of earnings from other sources, these live streams are rarely being monetised. COVID19 has the potential to be the catalyst for 'creative destruction', bringing into question traditional music industry business models while offering new ones. This research project will investigate optimum ways of monetising live streamed performances. The outcome of the research is an Open Access report for classical and jazz musicians, featuring best practice guidelines and focusing on the staging of virtual concerts; technical requirements; streaming platforms; methods of generating income; collaborations with venues; and online audience engagement. This will enable musicians to quickly and effectively access new income streams. Key findings from the report will be disseminated to over 50,000 UK musicians by the project's partner organisations, including the Musicians' Union, the Incorporated Society of Musicians, and the Music Venue Trust, while the full report will be downloadable from a project-specific website.