Outside the box: open-air performance as a pandemic response

  • Funded by UK Research and Innovation (UKRI)
  • Total publications:1 publications

Grant number: AH/V015230/1

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Key facts

  • Disease

    COVID-19
  • Start & end year

    2020
    2021
  • Known Financial Commitments (USD)

    $186,825.73
  • Funder

    UK Research and Innovation (UKRI)
  • Principal Investigator

    Evelyn O'Malley
  • Research Location

    United Kingdom
  • Lead Research Institution

    University of Exeter
  • Research Priority Alignment

    N/A
  • Research Category

    Secondary impacts of disease, response & control measures

  • Research Subcategory

    Other secondary impacts

  • Special Interest Tags

    N/A

  • Study Type

    Non-Clinical

  • Clinical Trial Details

    N/A

  • Broad Policy Alignment

    Pending

  • Age Group

    Not Applicable

  • Vulnerable Population

    Not applicable

  • Occupations of Interest

    Not applicable

Abstract

COVID-19 has introduced enduring challenges to arts and culture organisations, demanding innovation in response to public health guidelines. Yet there has been little discussion of the range of practices and sites being used for performance beyond theatre buildings, and the practicability of socially-distanced, live, in-person assembly for outdoor arts, especially in public spaces. This inter-disciplinary project between drama and management studies comprises two strands. The project will work with civic partners to identify how public spaces may be used for performance, harnessing the revivified community engagement with green spaces beyond the home, brought about by the lockdown and aligned with the national aspiration for transformation, to Build Back Better from the pandemic. While open-air performance has been a first stage in cultural re-opening, merely replicating indoor models outside does not resolve key safety and management issues. Hence, the first strand aims to document the nature and extent of innovative outdoor practices across the UK, and understand the management challenges from the perspective of two sets of principal stakeholders: artists and local government. Drawing on models of site-specific, dispersed, threshold, and ecological performances, alongside practice-as-research with artists who have long-term experience and expertise in these genres, the second strand entails a season of commissioned practice-as-research work in 2021. The festival of work will make these innovative models more visible and contribute to the revival of live performance cultures UK-wide, providing exemplars of sustainable cultural practices and assisting local government to facilitate culture for quality of life in a physically-distanced world.

Publicationslinked via Europe PMC

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Experiencing Event Management During the Coronavirus Pandemic: A Public Sector Perspective.